Why Read New Books?

By Tim Parks

THE NEW YORK REVIEW OF BOOKS - November 11, 2014

Hasn’t it all been done before? Perhaps better than anyone today could ever do it? If so, why read contemporary novels, especially when so many of the classics are available at knockdown prices and for the most part absolutely free as e-books? I just downloaded for free the original Italian of Ippolito Nievo’s Confessions of an Italian. It’s beautifully written. I’m learning a lot about eighteenth- and nineteenth-century Italy. It’s 860 pages long. A few more finds like that and my reading time will all be accounted for. Why go search out the difficult contemporary author?
As a reviewer of books she would often pan, Virginia Woolf thought one of the pleasures of reading contemporary novels was that they forced you to exercise your judgement. There was no received opinion about a book. You had to decide for yourself whether it was good. The reflection immediately poses an intriguing semantic puzzle; if, on reading a book, you enjoy it, then presumably it is good, at least as far as you are concerned. This is not something you have to “decide.” If you have to decide whether a book is good, does that mean you don’t know whether you enjoyed it or not, an odd state of affairs, or you don’t know whether your enjoyment or lack of enjoyment is an appropriate response?

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